A print requires making a plate, itself a slow process that demands precise and well thought out lines, together with a certain kind of work discipline. I wished to slow my gesture down and channel it into particular projects. It also seemed interesting to take a print as a starting point in order to make variations of colour or line, adding a collage here or leaving some areas blank there, exhausting all the plate expressive possibilities. This multiplicity using one same image allows to develop the concept of interaction-transformation across whole series, and also the thought of composed works conquering a space, turning it into an intervened space. In this way the works could be understood as an accumulation of fragmented perceptions from another, larger reality.
In order to view the series chairs, water, marine elements, stones, please click on the corresponding word!